In Issue twenty-three we are particularly excited to showcase the contributions of Anna Guillot, who has enriched this issue with her insights on books and multiples. Anna, founder of KoobookArchive in Catania, Italy, has provided a fascinating exploration of this unique field, highlighting its significant role in artistic research. Her archive, established in 2008, offers a wealth of reflections and experimental approaches to artists' books, underscoring the diverse languages, technologies, and themes that define this medium.
Our heartfelt thanks go to the talented artists and writers who have contributed to this issue. We are especially grateful to our dedicated board member, Zoltán Somhegyi (Hungary), and to the esteemed international critics Anna Guillot (Italy), Federica Falchi (Italy), Sophie Kazan (UK), and Lenka Piper (Czech Republic), whose perspectives have greatly enriched our content.
We also extend our appreciation to Fabio Gamberini, our editor for the Artificial Intelligence section, for his engaging interviews that offer valuable insights into this evolving field. For this issue Fabio interviewed Emanuele Arielli. Emanuele Arielli is Professor of Philosophy and Aesthetics at IUAV University, Faculty of Arts and Design, Venice, Italy.
Issue twenty-two features an interview with Zeinab Alhashemi and talked about "There May Exist" exhibition at the Theseus Temple in Vienna. She is a conceptual artist based in Dubai. Her installations offer site-specific commentaries that engage with the cultural traditions of the Arabian Peninsula. In her landscape sculptures, Alhashemi merges diverse materials and structures, creating a dialogue where cultural and natural histories intersect.
We are grateful for the participation of our contributing artists and writers. In addition to our dedicated board members Zoltán Somhegyi (Hungary) and Izmer Bin Ahmad (Malaysia-UAE), we had the pleasure of working with international art critics such as Anna Guillot (Italy), Federica Falchi (Italy), Sophie Kazan (UK), and Brajan Vojinovic (Serbia).
We also extend our thanks to Fabio Gamberini, our editor in the Artificial Intelligence section, who conducted insightful interview for this issue. For this Issue he interviewed with Marco Senaldi. Marco is a contemporary art critic and scholar of new media who has charted a unique path in analyzing the connections between art, technology, and society. Currently, he serves as the artistic director of Laba in Brescia and holds a teaching position at the Academy of Fine Arts of Brera in Milan, Italy.